There is a documentary of 27 minutes on Zoroastrian/Parsi attempts of finding love through community events. The clip I posted previously is part of this radio documentary. You need to be registered and signed in to be able to listen to the documentary.
“Kann ich der Welt nicht durch Gehen, Klettern oder Segeln entkommen, habe ich gelernt, sie auszusperren”.Stille | Erling Kagge
Not my style of literature, but whoever writes about walking, mountains and silence gets my attention! Werner Herzog’s (
@wernerhurtzog) “Vom Gehen im Eis” and Robert Walser’s “Der Spaziergang” remain clear favourites.
“There There”, a beautifully written novel and incredible storytelling by Tommy Orange. I sometimes read e-samples before buying a book. This one’s caught my attention immediately and read it to the end. I got off the plane and almost went to Dussmann shortly before midnight to buy the book. Luckily they had an open Sunday the next day. I look forward to reading more by
Last week, I taught about Anquetil-Duperron, William Jones, the discovery of language similarity and the beginnings of IE Studies. Disciplines such as Iranian Studies or #Indology, as we know them today, would not have been possible without those efforts and contributions. I also made it a point to at least briefly discuss “genesis amnesia” and the critical examination of Oriental Studies offered by @tavak in
- Tavakoli-Targhi, Mohamad. 2001. Refashioning Iran: Orientalism, occidentalism and historiography. Palgrave Macmillan.
I was glad to discover this morning, the wonderful 2019 themed issue of “History of Humanities“, Vol 4(2), dedicated to “Classics of the Humanities” & edited, it seems, by @rensbod & Kasper Eskildsen. This is the original tweet by Rens Bod:
Our anthology on The Classics of the Humanities has been published, and it’s free!https://twitter.com/rensbod/status/1188024358071087104
It includes foundational texts from philology, historiography, art history, literary theory, oriental studies, archaeology, linguistics, digital humanities and more.
As @rensbod writes, the volume “includes foundational texts from philology, historiography, art history, literary theory, oriental studies, archaeology, linguistics, digital humanities and more.”
“Some texts have been translated into English for the first time.” For instance, “Karl Lachmann’s introduction to stemmatic philology” which has until now been available only in Latin.
The original texts are here: historyofhumanities.org/resources/
The University of Bergen (Norway) and the Shapoorji Pallonji Institute of Zoroastrian Studies at SOAS, University of London, offer this autumn (23–27 September 2019) a short course on Zoroastrianism. This free course takes place in Rome and offers international students an opportunity to immerse themselves in the study of this religion with its rich history. The course is taught by Sarah Stewart (SOAS) and Michael Stausberg (Bergen) who will be joined by Jenny Rose (Claremont). Application deadline is 24 June 2019.
This year’s topic is “Zoroastrianism in modern and contemporary Iran”, where Zoroastrianism exists as a recognized religious minority. The course will address matters such as lived religious praxis, gender and community organizations, social, religious and ritual change, memory and visions of history, nationalist ideologies and minority rights.For more information, see this page.
I love cats, but am not crazy about them and certainly not a cat vs dog person. I like cats a reasonable amount. A while ago, however, I stumbled upon Junichiro Tanizaki’s cat story, read it out of curiosity and absolutely loved it. Months later, I caught myself remembering it as a B&W film, so lucid and expressive is its language and storytelling.
I’ve been going back to it again and again, and so thought of making a little reading project with #Japanese #cat stories. So far, I’ve discovered another four, but suspect there might be more. For the moment, I’ll read three to see how it goes.
The second cat novel in the project is “The Guest Cat” by Takashi Hiraide. This one, also a novella type, is about a cat that visits a couple in #Tokyo as a guest. My children and I can relate to this, as we regularly host guest cats :), mostly in the summer time.
I am undecided as to what to read as the third story. There is the contemplative “The Travelling Cat Chronicles” by Hiro Arikawa, the perhaps funny “If Cats Disappeared from the World” by Genki Kawamura, or Soseki Natsume’s classic “I am a Cat”.
While I’m here: I feel two more reading projects coming up: one with owls and one with wolves. I could start the owl project with “The Owl who Liked Sitting on Caesar”, but how to continue? I will make another post for the wolf project when I start it.
Another photo essay by Behrad Mistry, again from last year and over at the Ajam Media Collective.
The Zoroastrian New Year coincides with the Spring Equinox. It marks not only the beginning of the calendar, but the renewal of life in its perennial struggle with death. This annual milestone is an occasion for celebration, and involves a series of ritual arrangements and acts.
A commented photo essay from last year by Behrad Mistry over at the Ajam Media Collective.
The following is a photo essay by Behrad Nafissi Mistry. Born into the caste of Zoroastrian priests, Behrad is half Indian Parsi, half Iranian and is currently training to also serve as a priest. Behrad is a photo-journalist at Amordad Zoroastrian News Agency and Humans of Tehran. He holds a B.A. in English Literature and an M.A. in Comparative Literature from Shahid Beheshti University. This series will focus on Tehran’s Zoroastrian community and their practices before, during, and after Nowruz.
I receive a number of search hits from people who look for my name in connection with Azadeh Moaveni and her book Honeymoon in Tehran. I also receive occasional questions. While it is true that my name is mentioned in that book, I wish to distance myself from Azadeh Moaveni and her book Honeymoon in Tehran. Those who know me more closely know that I never read that book with the exception of two paragraphs in the pre-publication phase.